Opening a window onto the future, these visions include Trafalgar Square submerged in water, the fashionable 1920s Strand boarded up and littered with 'To Let' signs, an airship platform on top of Westminster and high speed trains whizzing across Tower Bridge.
While the camera's inventor turns out to be an escapee from the local asylum, the film's French director Gaston Quiribet may have been onto something with his images of high speed rail lines and famous landmarks flooded by rising sea levels. As BFI curator Simon McCallum wonders, 'could this be a prophetic glimpse of our great capital's fate?'
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